Crafting mixes that help tell your story.
Film and television: I mix immersive orchestral and hybrid scores, always in service of the story. Most recently — Spider-Man: Brand New Day
Installations: I design sound built around data, light, and space, most recently Jewel's Matriclysm in Venice, Italy.
Emmy winner, Star Wars: Skeleton Crew. CAS Award nominee, Zootopia 2.
Selected Credits
Spider-Man: Brand New Day
The End of Oak Street
Zootopia 2
The Fantastic Four: First Steps
Star Wars: Skeleton Crew
Inside Out 2
Independent Film
Roof
Argentina, 1985
Mothering Sunday
Live Installations
An eight-foot kinetic sculpture converting real-time NASA/NOAA ocean data into an original soundscape, created by Jewel. Now on view at Salone Verde, Venice, as part of Matriclysm, alongside the 2026...
A companion piece within Matriclysm, featuring seven hand-blown glass orbs Jewel made at the Toledo Museum of Art, representing the Pleiades. I recorded, designed, mixed, and installed the piece, building...
A collaboration with Crystal Bridges Museum featuring a 200-drone aerial show choreographed by Jewel to an original score, alongside a hologram, sculpture, and meditative art walk. I mixed the audio and...
The City of Zootopia land, anchored by the trackless ride Zootopia: Hot Pursuit, built its score around Michael Giacchino's themes, expanded by Mick Giacchino and Curtis Green. I recorded and mixed the...
Part of The Broad's Resonant Tones series, transforming the Oculus Hall into an installation built around Lykke Li's audiovisual album, with design by Nick Verstand and creative direction by Theo Lindquist. I handled the spatial design and mix for the installation.
Albums
Awards & Recognition
About
I'm a Los Angeles-based scoring mixer and music editor working on feature film and television scores, with a focus on Dolby Atmos mixing for large-scale orchestral projects across animation and franchise tentpoles.
Much of the work lives outside the tentpoles — on independent and festival films, and in live installations where sound is shaped by data, light, and the space itself. Scale shifts; the method doesn't. Listen closely, work as one part of a larger collaboration, and let the sound serve the story rather than compete with it.
Let's mix something.
For booking, reel requests, or project inquiries — reach out directly.